Dave, nothing could please me more right now — except maybe a free, round-trip ticket to the Deli — than this movie Nine being greeted like the piece of crap it is. I mean, seriously, we’re almost out of the aughts, and we still have to put up with Latin-lover-mythologizing, misogyny-as-art bullshit being marketed to us as if we have the brains of big dumb people.
I mean, I thought only the French (and Almodovar… oh, and Bertolucci) were allowed to put out movies in which women stripping down passes for a thinking person’s entertainment… How could somebody see this movie idea and give it the greenlight??!!!??
Oh, and as you’ll notice, all the usual culprits are involved, Penelope “People get off knowing that I’m dumb as a brick and every character I play is dumb as a brick — but with an accent which makes it alright” Cruz; Nicole “I was in that Kubrick movie in which I emoted way too much” Kidman’; and, worst of all, Anthony “Can you make your characters die already — oh, and Juliet Binoche sucks, as does Kristin Scott Thomas” Minghella.
Now, I know, Dave, you have a personal axe to grind with Audrey Tautou (as do I, btw)… but she should at least be temporarily exonerated for not having anything to do with this flick.
But back to why Nine is so appalling. I think it may have something to do with Any Vow-bag European nostalgia. Whaddya think Russ, will there be a time in the near future when our culture moves past our massive Jones for European accents, Robert Brassai and 1960s infantilism? In any case, I think this about sums it up:
Stacy Ferguson, known to pop-music fans as Fergie, is Saraghina, the village prostitute who provides the boy Guido with a glimpse of forbidden pleasures. Nice for him. The rest of us watch Ms. Ferguson stomp and gyrate through a number called “Be Italian,” which, like so much else in “Nine,” resembles a spread in a Victoria’s Secret catalog, only less tasteful. Ms. Hudson, for her part, struts through an embarrassing hymn to “Cinema Italiano” — with inane lyrics about “hip coffee bars” and Guido’s “neo-realism” — that recalls not Visconti or Antonioni (or even the Italian sex farces of the 1970s) but rather those lubricious Berlusconi-esque variety shows that baffle and titillate visitors from other countries who turn on their hotel-room television sets.
On another, related note: Do you remember when we went to see Natural Born Killers, Dave? Do you remember that I hated it and thought it was stupid? I like to think I have had some measure of vindication in the past few days.