The Canadian Club











{December 27, 2009}   Don’t get me started!

I’m ashamed to say it, Russ, but I’ve never actually seen an Almodovar film.  I know, lame, right?  In my defense, see Exhibit A; I also submit to you that since I usually watch movies and television while I’m working, subtitles are a bit distracting, so I’m really, really an ignoramus when it comes to Foreign Art Films.  Yeah, I know, cultural illiterate and all — believe me, I’ve been called worse by better.  OMG, this reminds me:  I’m rewatching Deadwood right now, thanks to a very thoughtful birthday gift from Pajamas, and it is so, so, so good — even better the second time because I have a slightly better understanding of the plot and can enjoy the amazing language more fully.  So I know that you’ve got NO TIME but maybe you can put that on your list, too?

No?

Fine.

So back to Almodovar.  Isn’t he supposed to be the guy who really loves and understands women?  Doesn’t, like, everybody say that?  Again, I can’t comment with any authority, since I base all my opinions these days on criticism, rather than on actual works of art or literature or whatever.  But hey, here’s my question for the (Boxing) day, Russ:  have YOU ever seen an Almodovar film?  Just asking.  What about you, Gentle Reader (especially Ty)?  What do you think?  Almodovar:  grody European misogynist or genius poet of the feminine experience?

None of this digression should suggest that I don’t share your opinion on the hideousness of Nine, which is just a big WTF all around.  I appreciate clever stunt casting as much as the next fellow, and I swear to you that no one loves the game of “Who would play the part of…?” more than I do, although, let’s face it, it’s never, ever clever to cast Kate Hudson in anything.  Moreover, I have more than an appreciation (an awe-struck reverence, perhaps?) for the casting of Fergie as La Saraghina, which is hilarious and great, given that sort of coarse, over-the-top, weirdly repellent sex appeal she has.  BUT.  On the other hand, even the inspired Fergie-casting is kind of a sad reflection on the state of Hollywood, isn’t it?  Like, they had to put someone whose yuckiness flies under the radar in that part, because you can’t actually put a woman on film who isn’t some ingenue/android, unless it’s in one of this lady’s films — and don’t even get me started on all the reviews that are saying it’s so refreshing to see a real middle-aged woman on film who hasn’t gone under the knife a million times, when she’s FRAKKING MERYL STREEP.  Seriously, MERYL STREEP‘s movie-star face = gritty realism now?

Um, what was I talking about?  Oh yeah, why don’t I remember going to see Natural Born Killers with you?  I totally believe that you hated it; I hated it, too (Pajamas actually liked it!  Don’t get me started!).  Nevertheless, I congratulate you on your prescience, even though I’ll have to take your word for it.  As for me, I haven’t followed the whole blog controversy too closely because it is LAME AND DEPRESSING.  Stupid lefties.  We don’t deserve to win.

How was your 25th?  How was the Chipmunks movie?  My Christmas was little bit

and a little bit

Happy Boxing Day, dude!

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{December 24, 2009}   Schadenfreude goes to the movies

Dave, nothing could please me more right now — except maybe a free, round-trip ticket to the Deli — than this movie Nine being greeted like the piece of crap it is.  I mean, seriously, we’re almost out of the aughts, and we still have to put up with Latin-lover-mythologizing, misogyny-as-art bullshit being marketed to us as if we have the brains of big dumb people.

I mean, I thought only the French (and Almodovar… oh, and Bertolucci) were allowed to put out movies in which women stripping down passes for a thinking person’s entertainment… How could somebody see this movie idea and give it the greenlight??!!!??

Oh, and as you’ll notice, all the usual culprits are involved, Penelope “People get off knowing that I’m dumb as a brick and every character I play is dumb as a brick — but with an accent which makes it alright” Cruz; Nicole “I was in that Kubrick movie in which I emoted way too much” Kidman’; and, worst of all, Anthony “Can you make your characters die already — oh, and Juliet Binoche sucks, as does Kristin Scott Thomas” Minghella.

Now, I know, Dave, you have a personal axe to grind with Audrey Tautou (as do I, btw)… but she should at least be temporarily exonerated for not having anything to do with this flick.

Obviously, I exempt Marion Cotillard and Fergie from my opprobrium. The former due to her being awesome, the latter, because she taught me how to spell.

But back to why Nine is so appalling.  I think it may have something to do with Any Vow-bag European nostalgia.  Whaddya think Russ, will there be a time in the near future when our culture moves past our massive Jones for European accents, Robert Brassai and 1960s infantilism? In any case, I think this about sums it up:

Stacy Ferguson, known to pop-music fans as Fergie, is Saraghina, the village prostitute who provides the boy Guido with a glimpse of forbidden pleasures. Nice for him. The rest of us watch Ms. Ferguson stomp and gyrate through a number called “Be Italian,” which, like so much else in “Nine,” resembles a spread in a Victoria’s Secret catalog, only less tasteful. Ms. Hudson, for her part, struts through an embarrassing hymn to “Cinema Italiano” — with inane lyrics about “hip coffee bars” and Guido’s “neo-realism” — that recalls not Visconti or Antonioni (or even the Italian sex farces of the 1970s) but rather those lubricious Berlusconi-esque variety shows that baffle and titillate visitors from other countries who turn on their hotel-room television sets.

Right on!

On another, related note:  Do you remember when we went to see Natural Born Killers, Dave?  Do you remember that I hated it and thought it was stupid?  I like to think I have had some measure of vindication in the past few days.



et cetera